Posts Tagged ‘Beginner Banjos’

A capo is an essential tool for the bluegrass banjoist, but don’t automatically reach for it just because a song isn’t in the key of G.  Remember that a capo is there not to make it possible to play in a given key, but to make it possible to play in a given key in a certain way.  On the bluegrass banjo, the capo’s real purpose is to preserve the sound of open-string rolls in keys other than open G.  These rolls on open strings are indispensable to the driving, traditional bluegrass banjo sound and some material just won’t sound right any other way; I’d be the last one to advocate playing “Train 45” in open B.  But on slower songs, or any material where the hard-driving roll in not necessary, give a thought to tackling other keys without the capo.

Open C is the most common first step for banjo players learning to venture out of the key of G without a capo.  I never capo at the fifth fret to play in C, unless somebody I’m playing with specifically requests it; here I’m thinking of a particular song and my mandolin-playing friend (yes, Joel, I’m talking about you and “If I Lose”!)  Otherwise, the beautiful ring of the first-position C chord, with its rich possibilities for hammers and pulloffs, is the way to go.

Don Reno is the most obvious model for the player seeking freedom from the capo (although, contrary to popular belief, Reno did use a capo at times), but another fine example in this regard (as in so many others) is Earl Scruggs; on the original Flatt and Scruggs recording of “Why Don’t You Tell Me So” in the key of F, Scruggs capoed his fifth string up two frets to A, left the other strings open, and played one of his all-time classic breaks.

Yes, that is how you get to Carnegie Hall.  Practice (or “time on board” to the fretted instrument player–the fingerboard) is necessary if you’re to reach any of your goals as a musician, whether you’ve taken up banjo, guitar or any instrument.  The discipline of practice when playing an instrument should be fun rather than a chore; approaching it with at least a general plan will make your practice time both more enjoyable and more productive.

Start each practice session by getting in tune with a good electronic tuner.  Other tools you should have at the ready include a metronome and some kind of recording device.  The metronome is particularly important for guarding against bad timing; that can easily crop up when playing alone.  Listening to a playback of your practice will make areas of needed improvement only too apparent.

Remember to repeat material you’ve already learned, but keep in mind that one of the most important principles is to “practice what you can’t play.”  It’s easy to fall into the trap of simply playing what you’ve already mastered, since it’s naturally more enjoyable.  But put in time practicing the tunes and licks you’re having trouble with, at whatever tempo is slow enough for you to play cleanly and in time (again, the metronome is essential here).  Proficiency is more important than speed.  Worry about speed last, only bumping up the metronome a few beats per minute once you feel confident at a given tempo.  If you can play as well at the new tempo as you did at the old, great; if not, dial it back and practice again at the slower speed.

Practice, and learning how to practice, is a lifelong challenge!  More later. .

Banjo Starter Packs

31 March; Author: NiceSounds

When my youngest son endeavored to learn the banjo last year, I honestly knew nothing about the instrument. After going to a local music shop, I decided that purchasing the various components individually would be much too costly and time consuming.  After doing some research online, I found a site that carried comprehensive banjo starter packs.

Not only did they come with a quality banjo, but the packs also included a case, strap, beginner’s books and picks. When my son got the package, he was overwhelmed and quickly began learning the instrument.. Although the music was atrocious at first, he rapidly developed his skill and can now play several classic tunes.

Don’t Be Afraid to Improvise

25 January; Author: NiceSounds

As the parent of a beginning banjo player, I have to try especially hard not to seem overbearing. After all, I started playing the instrument when I was precisely my son’s age, and it’s tempting to help him avoid making all the same mistakes I made. But I’ve found through experience that harping on him to practice will only serve to drive him away from the banjo – something he loves for now.

I’ve also learned that it’s important to allow the child to deviate from his practice routine every now and then. At least once a week I encourage my son to throw out everything he’s learned about tenor banjos for a solid half-hour. During that time, I tell him to try whatever improvisational technique he wants. The way I see it, the best banjo players broke the rules and created their own unique style.

 

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